While listening to music written for visual media, I noticed that certain compositions seem to belong so naturally to the worlds they accompany that separating them feels difficult to imagine.

It made me wonder whether composers arrive at those relationships through immediate intuition or whether they emerge gradually through experimentation, repetition, and sustained curiosity.

Perhaps the harmony was always capable of existing in that environment.

Perhaps the relationship only became visible through the process of composition itself.

I don’t know.

The question feels more valuable than arriving at a definitive answer, because it shifts my attention away from whether a work is created or discovered and toward the possibility that composition may be a continual act of recognizing relationships that were previously unnoticed.